The first half of this book is chock full of fun stories and inspiring wisdom on how to live and act spontaneously- like most good advice, it seems specific (improv techniques) but ends up being applicable to broad swathes of life.
One Sentence Media Reviews
The first half of this book is chock full of fun stories and inspiring wisdom on how to live and act spontaneously- like most good advice, it seems specific (improv techniques) but ends up being applicable to broad swathes of life.
The first third of Clavell’s second book in the Asian Saga is slow to get moving and full of characters and places and lingo and it’s all kind of hard to care, but he earned my attention with Shogun so I stuck with it and I’m really glad I did, because the second two thirds really use all that exposition and tell a fascinating tale.
This Vietnam war travelogue is so packed with anecdotes, stories, quotes, thoughts, and prose poems it’ll make your head spin, really just insightful, deep, and strong.
What a sprawling, gorgeous, unique, massive, engrossing, satisfying masterpiece - it revels in deeply involved chess-like strategic intricacies, but it also, separately from that, invokes an alien world effectively and completely, and the two feats in combination are exquisite.
Frerick does a great, readable, well-cited job laying out the history and effects of corporate consolidation in US food systems, and a nice quick job at the end laying out possible remedies, but like everything else I’m always left wanting more investigation into who and what is actually preventing those obvious remedies from enactment.
The first season of this animated adult superhero show was fun for its boldness and verve, even while ripping off elements of the MCU and other shows, but the second season introduced some pretty sloppy plot decisions and suffered as a result.
Aubrey Plaza as a serious actor is a little off-putting at first but it’s like sandler in uncut gems it turns out she can do it, and do it well, and altho this crime drama caper is stressful the whole way thru it’s also smart, and deep, and full of sharp social commentary.
Fun seeing all the young stars (especially my fav forest whitaker) and fun following along with their hijinks; early 80s representations of high schooler sex lives are fairly horrifying so be warned; overall was worth a revisit.
Considering how bad sequels usually are, I’m as surprised as everyone else to admit that this was a lot of fun - my one complaint is that a bunch of the dialogue from the first half was really obvious and throwaway, and more importantly my other complaint is that there are too many characters and they don’t get developed to any depth, so altho I do think that’s gonna be enough to keep this movie from achieving the cult status of its forebear, the practical effects and acting were really lovely.
I really appreciated this lengthy history of Magellan for its no-nonsense attention to detail, its use of primary sources, and its great readability and the excitement of its story; I’m glad to have filled in my mental picture of the early 1500s and I enjoyed it the whole way.
Serviceable entertainment for non star trek fans, heavy on the VFX and crappy costumes, somehow pretty fun anyway.
It’s probably just because I’m tired and faceblind, but this movie felt like a pastiche of barely-connected vignettes about spies, building up to a barely noticeable climax, which is funny because I loved the book and I think the movie faithfully captures le carrĂ©’s class and subtlety.
Didn’t know much about this classic sci-fi series going into it, and at first I was asking myself if this book influenced star trek or vice versa, but about halfway thru it turns up the difficulty, intensity, and depth significantly and just never looks back, it honestly ends up being a very satisfying novel, transcends its genre with ease, really just an all-round winner.
Deeply conflicted about this film, it’s quite clever, the casting, acting, dialogue, music, cinematography all top notch, I just don’t think the setting ever really connects with any of the rest of it; rather than a beautiful dark comedy set in the end of ww2 in germany it ends up feeling like a movie about the end of ww2 in germany, and also whoops someone turned up the “dark comedy” and “sentimental” dial really high but we’re not sure why.
Like most leadership self help books, this one is repetitive and under-nuanced, but on the other hand it’s about a nuclear submarine which is cool, and the concept of leading by helping your organization lead themselves is fun.
Decent action scenes, good casting, boring and obvious plot, real tear-jerker of an ending (I mean I didn’t actually cry but the vibe was there).